(BUNKER-Z Original Version)
I smashed the lock on that bitch’s door.
I smashed that bitch’s router, too.
I just wanna cut off that bitch’s Wi-Fi. connection.
[Lycus]
[Verse 1]
Hu hu hu uh yeh …..
Shadows falling on the concrete floor
Waiting for my chance to settle the score
They thought they had me, thought I was done
But my revenge has only just begun
[[Chorus – Female & Male]]
How can I make this clearer?
I broke out of the lockup last night.
I did nothing wrong.
Not like what that bitch did to me.
I smashed the lock on that bitch’s door.
I smashed that bitch’s router, too.
I just wanna cut off that bitch’s Wi-Fi. connection.
[Verse 2]
Hu hu hu uh yeh …..
Walking through the alleys, cold and blind
Leaving all the sirens far behind
I remember every word they said
Now the anger’s rushing to my head
[Chorus – Female & Male]
How can I get in touch with that asshole clerk?
I broke out of the lockup last night.
I did nothing wrong.
Not like what that asshole clerk did to me
I’m coming to smash the lock on that asshole clerk’s door.
I’m coming to smash the router to pieces, too.
I just wanna cut off that asshole clerk’s Wi-Fi connection.
I just wanna smashed that bitch’s router, to pieces, too
[Break]
[Chorus – Female & Male]
How can I buy that kickass hammer and crowbar?
I broke out of police custody last night.
I got no goddamn money or shit.
I’m coming to smash the door of that asshole clerk.
I’m coming to smash that router to pieces.
I just fell for that asshole clerk’s scam. It’s all that bitch’s attitude.
Tribute dance tune of early 80s synth-pop and new wave, which scored hits on the UK Dance chart and the US Billboard Dance Club Play chart at the time.
“Eurobeat: A Tribute to the British and American Electronic Dance Charts 1980’s”
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Project Overview
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Format Name:
User-Specified
Song Title / Artist (Year of Release)
(Lyricist: / Composer: )
Contents:
A set providing:
① English Overview + Japanese Overview
② English Lyrics + Japanese Lyrics (Transcreation)
③ Japanese Summary + English Summary
④ Japanese Analysis/Conclusion + English Analysis/Conclusion
eventually evolved into a globally recognized production aesthetic. To introduce the “Original Eurobeat Chart Top 100 Tribute,” which spans the period from 1975 to 1985, it is necessary to analyze the fusion of three distinct yet overlapping trends. These include the electronic music known as the “Munich Sound” of the late 1970s, the fast-paced high-energy scene originating in San Francisco and New York, and the melodic Italo disco imports that flooded the UK and US in the mid-1980s. This channel integrates data from the UK Official Charts, the US Billboard Hot Dance Club Play archives, and the High Energy and Eurobeat charts from the industry magazine *Record Mirror*, adding my own lyrics to curate and AI-generate the 100 most influential tracks that defined this transitional period.
「ユーロビート：1975年から1985年の英米エレクトロニック・ダンス・チャートへのオマージュ」
1970年代半ばから1980年代半ばにかけてのエレクトロニック・ダンス・ミュージックの歴史的変遷は、技術革新、文化交流、そして商業的拡大という重要な時代を象徴しています。この変遷の中心にあるのが、「ユーロビート」として知られるジャンルです。当初、シンセサイザーを多用した特定のダンス・ポップの変種を表す略語として英国のジャーナリズムで使われていたこの用語は、やがて世界的に認知される制作美学へと発展した。1975年から1985年までの期間を網羅する「オリジナル・ユーロビート・チャート・トップ100・トリビュート」を紹介するには、3つの異なるが重なり合うトレンドの融合を分析する必要がある。それらは、1970年代後半の「ミュンヘン・サウンド」として知られるエレクトロニック・ミュージック、サンフランシスコとニューヨーク発祥のテンポの速いハイ・エナジー・シーン、そして1980年代半ばに英国と米国に溢れかえるほど流入したメロディックなイタロ・ディスコの輸入曲である。このチャンネルでは、英国オフィシャル・チャート、米国ビルボード・ホット・ダンス・クラブ・プレイのアーカイブ、業界誌『Record Mirror』のハイ・エナジーおよびユーロビート・チャートのデータを統合し、私の歌詞を付加して
